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Written by Michael D Friedman
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Thursday, 19 October 2006 |
 When discussing topics for this issue’s exposition piece, an
interesting discussion developed in the CinemATL
“offices” about the state of film festivals today – in Atlanta and elsewhere. The general consensus of this discussion? There’s too many
of them.
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Written by Lisa Ward & Eric Bomba-Ire
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Saturday, 16 December 2006 |
 For many years, digital media
festivals and digital media art centers have been operating worldwide,
provoking new forms of art, film, video, as well as interactive art and video, and many other manifestations of new technology in the form of Art. The point is that the terms ‘new forms of art’ or ‘new
technologies’ are relative and exponentially evolving terms in art. Now, you
are asking yourself what does any of this have to do with CinemATL.com and film
in Atlanta?
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Written by Martin Kelley
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Saturday, 21 October 2006 |
 It all started with Ed...Banuel that is. We rolled out our first issue on Oct. 15, 2005 at 8 p.m. Now we're putting out Issue #7 which marks one year of CinemATL Magazine. As we spoke about in our very first Southern Hospitality we still get asked, "how do you pronounce that?" every now and then...
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Written by Michael D Friedman
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Friday, 15 December 2006 |
 A long time ago, when we were only in the planning stages of
CinemATL, we decided that we wouldn’t
use the magazine to cover our own projects, like Return of the Jackalope or Spleen,
which both played at festivals this year. But as the holidays come around, it’s always nice to reflect
on what you have accomplished in the past year...
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Written by Nils Onsager, Black Knight Stunt Team
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Monday, 14 August 2006 |
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 "...and Action!!!" How many times have we heard that on set? For a stunt coordinator, it means hard work and sweat, pain - and fun. Here is a little behind-the-scenes look at what a stunt coordinator does and how we do it. I have been performing and coordinating stunts for two decades. I got started doing stunts and action in live shows: sword fighting, jousting and falling off of horses for fun and profit. Let me start with my back-story, as my road to becoming a stunt coordinator was not a straight one.
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Written by John Sabato, as told to Kay Hallahan
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Thursday, 19 October 2006 |
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 Recently, we spoke with John Sabato, who has been
nominated seven times for an Emmy for his work as Production Designer on Mad TV.
Atlanta
production industry members first made John’s acquaintance working with him on Blue
Collar TV and Jeff Foxworthy’s Big
Night Out. Here is how John sees his role...
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Written by Dave R. Watkins
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Thursday, 19 October 2006 |
 On
September 17, 2006 I traveled out to Dacula Georgia to observe one of Lynch
Mob’s final shooting days. The film deals with a mob informant,
Weasel, who is put in the witness protection program after turning over
evidence to the FBI. He relocates to the town of Lynchburg where it is
soon revealed that the townspeople suffer from a curse placed on them.
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